The basis
of the Writing Strands approach to the training of young people to use their
language well began with an understanding that, just as in any program designed to produce
a sophisticated ability, a planned process of developing skills for established goals
would be necessary. We began by identifying the writing skills needed by students entering
major universities. We felt that if we could prepare gifted students for that level of
writing skill, we could give to all students writing skills consistent with their
abilities. Therefore, our goal is to build skills in the following four modes of writing:
1) argumentative exposition, 2) explanatory exposition, 3) creative and 4) research and
report.
We felt that if students
could 1) persuasively present positions on controversial subjects, 2) explain complicated
situations and/or objects or processes, 3) give others the benefit of their research in
reports, and 4) control the emotional reactions to their prose, they would be ready for
university work. If they were not headed for college, they would still have the ability to
use their language well for any purpose they might choose.
To this end, the following
principles were adopted by National Writing Institute before work began on Writing
Strands. They were our guides in the initial stages of the design of the assignments
and they remain operative today.
1. Every person can learn to
express ideas and feelings in writing.
2. There is no one right way
to write anything.
3. The ability to write is
not an exercise of a body of knowledge that can be learned like a list of vocabulary
words.
4. Both writing teachers and
their students learn in any effective writing situation.
5. The product of each
student's writing efforts must be seen as a success for at least the following reasons:
A. Students in a writing
class are not in competition with anyone else.
B. There is no perfect model
against which any effort can be compared for evaluation, so there must be many acceptable
ways to express ideas.
C. Every controlled writing
experience will help students improve the ability to express themselves.
6. All student writing
efforts are worthy of praise. The best help any writing teacher can give at any point is
to show, in a positive way, what is good about a piece and how it might be improved.
7. Any writing lesson which
is done independently by the student that has the errors marked, the paper graded and
returned but does not have a teacher's feedback in the form of reinforcements and
suggestions, represents a missed opportunity for the students.
8. All writing at any level
is hard work, and every writer should be encouraged to feel the pride of authorship.
9. All young authors need to
be published. This can be accomplished by having their work read to friends or family
members, posted on bulletin boards (refrigerators), printed in "books" or read
aloud by teachers.
CONCLUSION
At the beginning of this
Overview page we listed our goals and the principles that guided our selections of skills
and processes. Any writing program should do that and then outline the process of
transmitting the selected skills to the students.
Once we had selected the
four modes of writing, we divided them into their component parts and assigned those parts
(writing skills) to appropriate student age and grade levels. We then had goals and
strands of experiences designed for very young children that would lead to training for
young adults preparing for university work.
We then had to design
assignments to transmit those skills. We devised a formula for use with all of the
assignments. 1) We identified the skill to be learned, 2) Listed Objectives, 3) Identified
the length of time it should take an average student to complete the assignment, 4)
Presented models, 5) Gave pre-writing exercises, 6) Broke the assignment into small
increments (days or sessions) and, 7) Presented the student and the teacher with a places
to record successes and needs for future work. After six years of testing in classrooms,
homes, and tutoring situations, we published the Writing Strands books.
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